AudioMasters
User Info & Key Stats
Welcome,
Guest
. Please
login
or
register
.
1 Hour
1 Day
1 Week
1 Month
Forever
Login with username, password and session length
February 01, 2012, 11:47:18 PM
73736
Posts in
7768
Topics by
2597
Members
Latest Member:
miskaudio
News:
Buy Adobe Audition:
Pick Your Region
Austria
Australia
Belgium
Brazil
Bulgaria
Canada
Cyprus
Czech Republic
Denmark
Estonia
Finland
France
Germany
Greece
Hong Kong
Hungary
Ireland
Italy
Japan
Korea
Latvia
Lithuania
Luxembourg
Malta
Mexico
Netherlands
New Zealand
Norway
Poland
Portugal
Romania
Singapore
Slovakia
Slovenia
South Africa
Spain
Switzerland (Dutch)
Switzerland (French)
Sweden
United Kingdom
United States
AudioMasters
Audio Related
General Audio
General Audio Stickies & FAQ's
Off-Mic Vocalist
« previous
next »
Pages:
[
1
]
Author
Topic: Off-Mic Vocalist (Read 1837 times)
«
on:
April 06, 2009, 05:03:56 PM »
The FAQ Wizard
Administrator
Member
Posts: 29
Off-Mic Vocalist
I've recorded three vocalists on separate tracks, and one of them sounds different - he was too far away from the mic. What can I do?
The following tips are taken from previous threads.
Depending on the situation, there's only so much you can probably do.
Having someone "on-mic" is not just about dynamics and frequency capture; It's also a very temporal, spatial thing. If the vocalist goes off-mic, you're probably only going to be able to deal with only small variations in this spatiality. Larger variations in directionality and distance from the capsule will remain evident. The day someone comes up with a fix for this, they'll be rich, because then we'll be able to record around corners!
So, if the vocalist was in fact 'far away' or 'off-axis' while performing, there's not much you can do to really bring it to the foreground. You can try some limiting which will uniformly boost the entire signal - at which point you'll probably have to remove noise with Noise Reduction, and even still, the performer may sound distant (just because of the room characteristics that were part of the file itself)...Of course, at times like these, you can always add some 'spacey' effects (like a stereo phaser or flange) and
intentionally
create a different sound; that technique has been used with great results in the past.
So, with a little EQ, and compression/limiting, you might be able to improve the sound a bit, or a lot...again, it's hard to make a call without actually hearing it. If it is possible, it probably wouldn't be bad to have him do it again, positioned properly.
Adapted from material originally posted by Audition M.D. and Jonrose
Logged
Pages:
[
1
]
« previous
next »
Jump to:
Please select a destination:
-----------------------------
Forum Topics
-----------------------------
=> Forum Suggestions/Remarks
-----------------------------
Audio Software
-----------------------------
=> Adobe Audition 2.0, 3.0 & CS5.5
===> Audition CS5.5 AKA Audition 4
=====> Audition 4 Stickies and FAQs
===> Adobe Audition 3.0
=====> Audition 3.0 Stickies & FAQs
=====> MIDI
===> Adobe Audition 2.0
=====> Audition 2.0 Stickies & FAQs
=> Previous Versions
===> Cool Edit 96, 2000, 1.2a
===> Cool Edit 2.0 & 2.1, Audition 1.0 & 1.5
=====> CE 2.0 & 2.1, Audition 1.0 & 1.5 Stickies and FAQ's
=> Adobe Audition Wish List
=> Third-Party Plugins
-----------------------------
Audio Related
-----------------------------
=> General Audio
===> General Audio Stickies & FAQ's
=> Radio, TV and Video Production
=> Hardware and Soundcards
===> Hardware and Soundcards Stickies and FAQ's
=> Recordings Showcase
-----------------------------
Off Topic
-----------------------------
=> OT Posts
=> Polls
Loading...