send and buss oddities

First, it seems a bit excessive (or not intuitive) to me that a given send from each track can go to different busses.  That is to say: send one from track one can go to buss A while send one from track two can go to buss B.  To my old fashioned mind, send one is send one andd goes one place.  This is marginally complicated by the fact that the ctrl+shift trick didn't work with this setting.  So to get send one from all tracks going to one buss I had to choose each individually.
Second,  I really don't like the the solo setup for the busses.  I have a test session in which several tracks have send one sent to buss A which has a reverb on it.  If I solo buss A Audition solos all the tracks that have send one sent to buss A.  There is no way for me to hear just the verb return on that buss.  Am I missing something?  Is there a way to defeat this behavior?
JTC

You're thinking hardware - this is software!  You've got an infinite number of buses and tracks to play around with, so the kind of associations you are thinking of no longer make sense.  And buses can send to buses....

See http://tinyurl.com/7dxta for an Adobe forum FAQ on your other question.

You're thinking hardware - this is software!  You've got an infinite number of buses and tracks to play around with, so the kind of associations you are thinking of no longer make sense.  And buses can send to buses....

They still make sense, they just have more room to grow.  I guess what I'm saying is I'd like to have the hardware model as a basis from which one can get going quickly.  The ctrl+shift method of assigning send outputs would have made that go a bit quicker.

See http://tinyurl.com/7dxta for an Adobe forum FAQ on your other question.

Thanks. I read it.  That's an awful cumbersome workaround.  This is definately a case where I believe the hardware model would be superior.  Instead of pushing one button to help dial in a sound I now have to hit half a dozen or more.  Similarly instead of having a true PFL from an input channel (recorded track) I now have to mute any sends it goes to to hear it dry.  I mix live for a living.  Speed counts.  Any recording I work on will be of a similar nature.  I'd like to think I'll be able to dial up a rough mix for a client as fast as I could on a conventional console.  With the added bonus of not being limited to a fixed number of sends or groups (busses).  I'm lovin' all the work they put into this release but this solo setup is just plain kludgy.
JTC