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thetoll
Posts: 6
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Posted - Wed Jan 08, 2003 8:36 pm
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Hi,
I was looking through previous posts and saw that I believe the nak dragon and one other brand were mentioned as having adjustable azimuth (without the old screwdriver)
Can anyone provide any locations online to get these models OR other models that you might think of. thanks for your help.
Peace
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SteveG
Location: United Kingdom
Posts: 6695
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Posted - Thu Jan 09, 2003 3:05 am
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This one might lead you to the answer... and if you look around, you will find sites like this one which might get you somewhere. But since there are no new Nakamitchi cassette decks, this is all you can do.
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VoodooRadio
Location: USA
Posts: 3971
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Posted - Thu Jan 09, 2003 9:02 am
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Steve's right (of course).... You might try looking around pawnshops or maybe EBAY. The Nakamitchi Dragon is/was the top of it's class and most folks know it! Meaning.... even if you find one, be prepared to spend some $$$. Other than the occasional cassette transfer to CEP, I don't use mine much anymore but..... I don't have any intentions of getting rid of it!
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Voodoo
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SoloTune
Location: USA
Posts: 194
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Posted - Thu Jan 09, 2003 2:58 pm
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Hi thetoll, I just wanted to toss in here, I wouldn't get too hung up on the externally adjustable azimuth thing. I've set the azimuth on literally hundreds of cassette decks in my audio-tech days, and on virtually all them, you simply unsnapped the little plastic or metal front cassette loading door to get to the azimuth screw. It was really easy.
You really won't go wrong with almost any Nak, (I use a CR-5 myself), especially if you get one of the three-head versions. One thing to keep in mind also, in my experience with Nak's, they were very susceptible to recording aberations caused by low frequency wow and flutter in the source, and benefitted greatly from using the Nak SF-10 plugin sub-sonic filters. These can sometimes be found on e-Bay. I really don't know why Nak didn't just build them in to every model. These units are so small, there can't be much in them. perhaps you could build them yourself. (They're just 10hz high-pass filters.)
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VoodooRadio
Location: USA
Posts: 3971
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Posted - Thu Jan 09, 2003 3:23 pm
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Solotune is right about the SF-10's. I had 2 of them in the late 80's. I used the deck then for my "Mixdown Deck". (having not made the switch DAT yet) However, using the deck for transfer to "digitize" the material and, being that your using an Audio Editor software. You can accomplish the same thing with the various equalizing tools in CEP, after the transfer.
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Voodoo
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MusicConductor
Location: USA
Posts: 1524
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Posted - Thu Jan 09, 2003 8:28 pm
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SoloTune, one of my associates just picked up a mint second-hand Yamaha "Natural Sound" cassette deck, and I'm really curious how the azimuth is to be set on this one. It appears that the entire head assembly disattaches if you unscrew the ones in the "normal" adjust location, and the only other screw in the same vicinity is inaccessible while a tape is inserted. Can you help?
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jonrose
Location: USA
Posts: 2901
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Posted - Thu Jan 09, 2003 10:25 pm
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SteveG wrote: |
But since there are no new Nakamitchi cassette decks, this is all you can do. |
I tried "that" first one, just for fun. What should appear at the top of the heap, but:
Nakamichi!
One caveat:
Their decks are only available in Asia. But they still make them.
Here's their two home audio cassette models;
http://www.nakamichi.com/home/ACASSDEC/DR10.HTM
http://www.nakamichi.com/home/ACASSDEC/DR8.HTM
Best... -Jon
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SoloTune
Location: USA
Posts: 194
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Posted - Fri Jan 10, 2003 4:08 am
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Hey MusicConductor, I'm just checking this board this morning before sliding in to work, but can you post the model #?
All the Yamaha's I've seen have a conventional head alignment system, (I actually still have two, myself.) Keep in mind, the head alignment screw on virtually all decks doubles as a mounting screw, and will come out if turned too far, thus releasing the head.
Generally though, you would insert an alignment tape into the deck, and hit "PLAY". This will cause the two head mounting screws to come into view, (if one has unsnapped the door cover first.) Usually, the one on the right is the one to adjust.
I should point out here, to do this properly, you need a high quality alignment tape, Nak makes one of the best, albiet expensive, and the left and right outputs should be connected to a good dual channel O'scope with X-Y display capabilities. A good tape will have a 400hz and 20khz test tone on it. With the 'scope set to X-Y, and the tape playing the 400hz tone, you should see an ellipsoidal pattern, the wider the ellipse, the more mis-aligned the head is. You adjust the screw in and out till the line is as flat (at a 45 deg angle), as possible. This procedure is then repeated for the 20khz tone.
You can sort-of, do this by ear, that is, adjust the screw back and forth while listening to music, and adjusting for the best high-frequency content. But bear in mind, this is simply aligning the deck to whatever deck the tape was recorded on.
Anyway, if you can get the model #, I'll add any more that I can.
See ya, Solotune.
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SteveG
Location: United Kingdom
Posts: 6695
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Posted - Fri Jan 10, 2003 6:01 am
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LOL! I missed that one! But even so, they really don't appear to be available in the West... or have I missed something here too?
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jester700
Posts: 546
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Posted - Fri Jan 10, 2003 12:55 pm
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SoloTune wrote: |
You can sort-of, do this by ear, that is, adjust the screw back and forth while listening to music, and adjusting for the best high-frequency content. But bear in mind, this is simply aligning the deck to whatever deck the tape was recorded on. |
Generally, I only ever USE a cassette machine for playback these days - usually transfer to CD of unavailable material. as such, the "earball" system works fine. It's a bit easier if you sum to mono when adjusting, too.
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Graeme
Member
Location: Spain
Posts: 4663
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Posted - Fri Jan 10, 2003 1:59 pm
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SteveG wrote: |
LOL! I missed that one! But even so, they really don't appear to be available in the West... or have I missed something here too? |
Maybe not the USA - but they do appear to available in Spain - http://www.ear.es/nakamichi/prod/platinas/gnak.html
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MusicConductor
Location: USA
Posts: 1524
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Posted - Fri Jan 10, 2003 2:06 pm
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SoloTune, thank you thank you!
The model number is Yamaha K-1020 (I didn't have that available last night).
My alignment tape is a Standard Tape Laboratories #C-0086 (full track) that has experienced a great deal of self-erasure in the high tones, but at least they're still correct! I don't have an oscilloscope, so I generally just set my receiver to mono and "rock" the screw back and forth until I'm in the center of the loudest response. If I need to be fussier I use CEP as my oscilloscope, although not having it in realtime is awkward!
The mounting screws on the K-1020 did not seem to have any affect on playback phase at all.
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SoloTune
Location: USA
Posts: 194
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Posted - Fri Jan 10, 2003 3:11 pm
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MusicConductor, take a look at this image:
http://members.aol.com/solotune/images/yamaha.jpg
I know the image is terrible, but the red arrow points to the azimuth adjust screw.
I notice that this is a 3-head, closed-loop design, so be very careful while adjusting things.
If I can find a better image somewhere, I'll let you know.
Solotune.
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SteveG
Location: United Kingdom
Posts: 6695
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Posted - Fri Jan 10, 2003 3:31 pm
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Graeme wrote: |
SteveG wrote: |
LOL! I missed that one! But even so, they really don't appear to be available in the West... or have I missed something here too? |
Maybe not the USA - but they do appear to available in Spain - http://www.ear.es/nakamichi/prod/platinas/gnak.html
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One is now intrigued. How on earth much do they cost? I couldn't figure this out either...
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Graeme
Member
Location: Spain
Posts: 4663
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Posted - Fri Jan 10, 2003 6:23 pm
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SteveG wrote: |
One is now intrigued. How on earth much do they cost? I couldn't figure this out either...
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I have no idea either - it looks as though one has to email the distributor for this information.
The manufacturers site could be construed as meaning either all models, or only the champagne coloured models, are only available in Asia - although I don't know which is the correct interpretation.
One thing I think we can be reasonably certain about is that these machines are not going to be the workhorses which they built in the '80's
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MusicConductor
Location: USA
Posts: 1524
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Posted - Sun Jan 12, 2003 9:13 am
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Thanks, SoloTune!!! Now I just need her to bring the Yamaha back in so I can look at it again. I'll let you know!
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SteveG
Location: United Kingdom
Posts: 6695
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Posted - Sun Jan 12, 2003 11:56 am
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Graeme wrote: |
SteveG wrote: |
One is now intrigued. How on earth much do they cost? I couldn't figure this out either...
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I have no idea either - it looks as though one has to email the distributor for this information.
The manufacturers site could be construed as meaning either all models, or only the champagne coloured models, are only available in Asia - although I don't know which is the correct interpretation.
One thing I think we can be reasonably certain about is that these machines are not going to be the workhorses which they built in the '80's
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I'd noticed the ambiguity about the availability too - but since I have not seen these advertised anywhere in the UK, I interpreted it as meaning just Asia. But I'm not so sure about the build quality thing. Why would Nak, with their pre-eminent reputation produce a second-rate deck now? But you may be right, and that's why I asked about the price... (and I thought that I'd see what nested quotes look like! )
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Graeme
Member
Location: Spain
Posts: 4663
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Posted - Sun Jan 12, 2003 12:10 pm
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SteveG wrote: |
...But I'm not so sure about the build quality thing. Why would Nak, with their pre-eminent reputation produce a second-rate deck now? |
Maybe that's just a bit of cynicism on my part. It seems to me that just about every manufacturer of domestic hi-fi equipment has, in one way or another, cheapened their product in order to maintain a hold on an. admittedly, fickle market. I think it's likely this will hold true for Nakamichi.
SteveG wrote: |
... (and I thought that I'd see what nested quotes look like! ) |
They look fine.
Maybe I'll drop the distrubutor a line about these units - the problem is, if they think they have a potential sale on their hands, they'll never give up on me!
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SteveG
Location: United Kingdom
Posts: 6695
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Posted - Sun Jan 12, 2003 1:42 pm
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Talking of distributors, Nak in the UK this used to be handled by B&W (of loudspeakers fame), but this arrangement ceased in the 90's sometime, when Nak pulled out of European sales. B&W still have a good relationship with Nak, and still provide service on just about any of the 'old' products. In 1999, Nak set up Nakamichi UK Ltd to sell the new range of CD/DVD etc stuff, which is, as ever, horrendously expensive. So the good news is that if all else fails, B&W can still supply spare parts for old Naks if you run into trouble with a S/H one. And I think that they are prepared to ship stuff anywhere...
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zeitgeist
Location: Slovenia
Posts: 367
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Posted - Sun Jan 12, 2003 4:10 pm
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I haven't really read the entire thread, so excuse me if this is out of place, but in my wanderings across the web I have come across several sites of shops that offer refurbished and garunteed vintage equipment, and at sometimes agreeable prices, no less. You might want to check out that route. Have a look at this page: http://www.oaktreeent.com/Stereo_Cassette_and_Reel-Reels.htm Is $99 for a tuned-up Nakamichi BX-1 too much? Sounds good to me. I don't represent the outfit that provides this page in any way. I just happen to have had it bookmarked. :)
Graeme said:
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It seems to me that just about every manufacturer of domestic hi-fi equipment has...cheapened their product in order to maintain a hold on [the] market. |
Gawd, isn't that the sad truth!
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VoodooRadio
Location: USA
Posts: 3971
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Posted - Sun Jan 12, 2003 4:29 pm
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Well the reverse is not any prettier.... rememeber when Peavey first started out? They were the cheapest (in all respects) "new" kid on the block. However, over the years they have managed to put out SOME decent pieces of kit here and there. Unfortunately, they were (and are) met with a certain amount of (justly deserved) scepticism. The "Autograph" E.Q. was/is cool, the 5150 amp ROCKS!, (just to name a few) but most folks hear the name Peavey and think.... low price/low quality! The same goes with a new Guitar Manufacturer here in the States. Jay Turser is producing "knock off" (copy) guitars... thing is, they're doing a really good job of it (can we say together.. lawsuit in the making?) They are ridiculously inexpensive yet the quality isn't shabby (on some models). Again unfortunately, they will be met with scepticism and probably won't survive the assault. Buy em while they last!!!
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MusicConductor
Location: USA
Posts: 1524
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Posted - Tue Jan 14, 2003 6:08 pm
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MusicConductor wrote: |
My alignment tape is a Standard Tape Laboratories #C-0086 (full track) that has experienced a great deal of self-erasure in the high tones |
Now that the azimuth is correct, the response on that tape (as shown on the meter) is flat to 18KHz. So much for self-erasure. Either the heads are toast or metering wrong on every other machine I've adjusted. I suppose cheap or digital (flourescent) meters could be less sensitive at certain frequencies, which would defeat the purpose.
Solotune, how hard was that? I've just never seen an alignment screw that nice, and this was the smoothest, easiest adjustment I've ever done. Thank you again for the assistance. When she's done with this machine, I want it!
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SoloTune
Location: USA
Posts: 194
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Posted - Tue Jan 14, 2003 7:45 pm
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Hey MusicConductor, I'm glad I could be of some help. I've always liked Yamaha equipment, (I have two sets of their speakers), but they, like so many audio companies, seemed to "peak" in the early-to-mid eighties. Yamaha, Harmon Kardon, and even Nak all seemed to slide downhill from that era.
If I remember corrctly from my days as the service tech in an authorized Nak dealership, the Dragon was the only tape transport actually built and designed by Nakamichi. The rest were purchased from Sanyo. Of course, Nak still built the rest of the circuitry, and their sound was arguably second to none.
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MusicConductor
Location: USA
Posts: 1524
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Posted - Tue Jan 14, 2003 7:52 pm
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But what do you make of their reputedly incompatible approach to tape EQ? How different is it, really?
My colleage picked that Yamaha up on Ebay for $75. It's like new. It sounds like new. I'm green!
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Andrew Rose
Location: United Kingdom
Posts: 875
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Posted - Fri Jan 17, 2003 6:30 am
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MusicConductor wrote: |
If I need to be fussier I use CEP as my oscilloscope, although not having it in realtime is awkward! |
This made me think - given that you can get CEP to provide realtime frequency analysis, it is sensitive enough to reveal the increase in HF you hear when 'tuning' the azimuth on a cassette (or tape) deck? I'm not currently in a position to test this, but it's certainly worth a try...
As for Nakamichi - I've been very pleased with my DR-2. When it comes to azimuth it does have a clear advantage over other decks I've used. Although you do have to snap the front cover off, it does reveal a clever click-stopped geared system which allows for very fine adjustment and no slippage. Also it's got seperate azimuth settings for the record and playback heads, so even though I'm always tweaking the playback head I'm never setting recordings out of alignment (not that I seem to ever make any, but you never know...).
BTW the guy at the hi-fi shop where I bought the deck (second-hand £99, list £600) commented that all the recent Nak stuff he'd seen had been really awful by comparison. His opinion was that from the great heights of their cassette deck heyday they'd completely lost it...
Andrew
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