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December 14, 2007, 08:24:00 PM
62666 Posts in 6217 Topics by 2168 Members
Latest Member: offTheRecord
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+  AudioMasters
|-+  Audio Software
| |-+  Adobe Audition 2.0 & 3.0
| | |-+  Adobe Audition 2.0
| | | |-+  Features from adobe audition 1.5 that arent on 2.0
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Topic: Features from adobe audition 1.5 that arent on 2.0  (Read 2293 times)
Reply #15
« on: February 14, 2006, 11:43:58 AM »
BFM Offline
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Posts: 853



Got one for dry broadcast speech, or does the same apply?
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Reply #16
« on: February 14, 2006, 02:48:15 PM »
Liquid Fusion Offline
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Posts: 1030

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Quote from: BFM
Got one for dry broadcast speech, or does the same apply?

Try holding your breath. Works every time. American humor. Cheesy

Your use is very interesting: live radio. AA2.0 having live abilities, I'd apply above settings and see how you sound. Your mic / distance to the mic / and voice itself are all important as you know. Raising the "Wide Bump" at the low / high ends can't hurt if applied discreetly. The removal of mid harsh frequencies is noticible ~ 324 Hz / ~600Hz mic dependent / upper mids ranging from 1200Hz to 1400Hz - were pointed out to me by people here. A little boost ~3200HZ is great for guitar when you have someone playing live on your show. Nothing carved in stone.

I thought all radio stations compressed / EQ'ed their sound..... Some producers even mix anticipating the damage stations do to music and sound. But then maybe stations use Graphic EQ for ease of use. Regarding compression, I bet you work the mic leaning away when you go loud, closing in when you whisper.

Didn't Bonno say," A whisper is louder than a scream?"
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Reply #17
« on: February 14, 2006, 04:59:30 PM »
Andrew Rose Offline
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Posts: 737

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Quote from: Liquid Fusion
I thought all radio stations compressed / EQ'ed their sound.....


With one of the BBC's veteran radio news readers I used to take great pleasure in switching out all EQ, compression and limiting before going on air... Cool
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