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 YOUNGLOVE"S RMS NORMALIZATION FOUND!!!
 
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beetle


Location: USA


Posts: 2591


Post Posted - Mon Feb 12, 2001 7:09 pm 

Hey All, I finally found Younglove's procedure for RMS normalization in Cool EDit!

Here It is! Enjoy!

younglove

The Normalize function normalizes to peak. To get the output levels sounding all the same (close, anyway) you should normalize to RMS, instead. Here's the manual procedure in CEP 1.2 and CE2000:
1. Bring up the cue list (View\Cue list)
2. Open the first track.
3. Edit\Select Entire Wave.
4. Press the Add button on the cue list window.
5. Open Append (not Open) all the remaining tracks (now the whole compilation is opened as a single wave file and each track will have its own cue range). Warning: if you select multiple files in a directory to Open Append at once, CEP does not Open Append these in the same order as your selected list.
6. Edit\Convert Sample Type the compilation wave to 32 bit, if not already (must proceed in 32 bit).
7. For each cue range (track), do:
....a. select the cue range so that it is highlighted
....b. Analyze Statistics. Set RMS Window Width to 0 ms and press the Recalculate button (you'll only need to do this the first time). Note the Average RMS Power of the louder of the left and right channels (the one whose value is closest to 0 dB).
....c. Transform\Amplitude\Amplify by *minus* that many dB (the value to amplify by will normally be a positive value, for example
"minus -24 dB" = 24 dB; make sure that "View all settings in dB" and "Lock Left/Right" are checked). This will temporarily grossly amplify your track--don't worry about it: it's 32-bit!
8. Having done step 7 for each track, the tracks are now normalized to RMS with respect to each other, rather than to peak. Now Edit\Select Entire Wave.
9. Transform\Amplitude\Normalize to whatever value you want, say 96%. This brings the levels back down without clipping or loss. You can now use the Batch function on the Cue List (highlight all the cues first) to automatically save the tracks to separate files, if you want. If you do, then you will probably want to audition them to see which is which and rename them once saved.
The procedure reads complicated, but if you try it it's really easy, just a bit tedious because it's a manual procedure.
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younglove





Posts: 314


Post Posted - Mon Feb 12, 2001 8:06 pm 

Thanks, Beetle
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Detlev Dalitz





Posts: 141


Post Posted - Tue Feb 13, 2001 7:03 am 

Quote:
8. Having done step 7 for each track, the tracks are now normalized to RMS with respect to each other, rather than to peak.


Please explain "respect to each other".

DD.20010213.1503
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beetle


Location: USA


Posts: 2591


Post Posted - Tue Feb 13, 2001 11:07 am 

Another phrase could be "In RELATION to each other". Does that help?
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Detlev Dalitz





Posts: 141


Post Posted - Tue Feb 13, 2001 8:57 pm 

Quote:
Set RMS Window Width to 0 ms

Why?

Quote:
Another phrase could be "In RELATION to each other". Does that help?

not at all.
All waves are grossly processed in the same way?!
Where is the relation, when there is no wave with a fixed level as a coherent base for the relation?

DD.20010214.0457
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younglove





Posts: 314


Post Posted - Tue Feb 13, 2001 11:06 pm 


Quote:

Set RMS Window Width to 0 ms



Why?


As Bluto would say, "*urp* why not?"


Quote:

All waves are grossly processed in the same way?!
Where is the relation, when there is no wave with a fixed level as a coherent base for the relation?


The fixed level used as a coherent base is
0 dB. Each track is brought up to 0 dB, then
all tracks taken together are normalized to 96% or whatever.
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Detlev Dalitz





Posts: 141


Post Posted - Wed Feb 14, 2001 3:04 am 

Triggered by beetle`s announcement I have taken over the idea of RMS averagesizing and slightly modified.
In former times I have done this task "right off the stomach", now I have a procedure, that works fine. Thank you, guys.

Instructions follows:

This manuscript lists the steps you have to go in Cool Edit Pro if you want to build a compilation of wavefiles.
The volumes of the wavefiles will be tuned in an average manner to give the listener a harmonic and easy listening feeling overall the compiled wavefiles.

Before you begin, make sure that you have your wavefiles ready mixed in final version
(16-bit or 32-bit, just a format, which can be invoked into Multitrack Mixer View).
These files will not be altered by the procedure.


1.
Begin in Multitrack Mixer View.
If you are in Single Waveform View then switch to Multitrack Mixer View (F12).

2.
Open menu "Edit/Snapping".
Select "Snap to Waves" only.

3.
Open menu "File/Open Waveform" (Ctrl-O).
Dialog "Open a Waveform" comes up.
Select all the wavefiles which you want to compile.
Click or push the button "Open" to open them all.

4.
Open menu "Insert/Waveforms List..." (F9).
Place the dialog window anywhere at the right edge of the screen.
Select the first filename with a left click.
Hold down the left mouse button and drag the filename out of the dialog window.
Place this first wave snippet to the very beginning of track 1.

5.
Select the second filename with a left click.
Drag the second filename resp. wave snippet to track 2 near the end of the first wave snippet.
Left adjust the start position of the second wave snippet with right click dragging to the end position of the first wave snippet.
There comes up a helping snapline to do the exact aligning automagically for you.

6.
Repeat step 5 until you have dragged all of your titles into isolated tracks.
If the view is getting to small then click the button "Zoom Out Full".
At end of your drag work the Multitrack Mixer View will show you a nice staircase down from the upper left to the lower right edge of the multitrack mixer view.
Save this session file. As it is the first saving, give it a wonderful name.

7.
Click double on the first wave snippet in track 1 or right click on it and select "Edit Waveform" from the contextmenu.
Single Waveform View will come up, displaying the first wavefile in entire view.

Open menu "Analyze/Statistics...".
Waveform Statistics starts immediately.
Make sure that there is value=0 in editfield "Window Width".
If there is yet another value, then cancel the gathering process.
Go to editfield "Window Width" and fill in value 0.
Restart the gathering process with the button "Recalculate RMS".

If gathering process has stopped, take a look at the line "Average RMS Power".
There will be displayed the values for left and right channel in units minus dB.

Right click with your mouse into the field onto the digits with the _lower_ db value
(that is the greater absolute value) (value=max(abs(left),abs(right))
From the contextmenu select "Copy".

Close the dialog "Waveform Statistics".
Switch to Multitrack Mixer View.

Right click into the little Volume editfield at the left side of the track 1.
The dialog "Volumefader" opens, editfield "dB" will be highlighted.

Right click into the editfield "dB".
From the contextmenu select "Paste".
Delete the minus sign (that's important).

Press "OK" to close the volume fader.

8.
Repeat step 7 until you have gathered all the minimum Average RMS Power values and copied them into the allocated tracks's volume control editfields.
All values must be positiv (greater or equal zero).

9.
Find out, which value is the greatest.
(value=max(trackvol1, trackvol2, ..., trackvoln))

Right click into the editfield with the greatest value.
(that should be a volume fader editfield)
From contextmenu select "Copy".

Right click into the "Master" editfield.
The dialog "Main Volume Fader" opens, editfield "dB" will be highlighted.

Right click into the editfield "dB".
From the contextmenu select "Paste".
Put a minus sign in front of the value (that's important).
Save this session file.


10.
Now you have to set some cue points.
The first cue point must set to the hard left
(click on the button "Go To Beginning or Previous Cue"),
press F8 or use the right click contextmenu.

The next cue point must set at the end of the first snippet
(click near the end, exact snapping will be done automagically), press F8.
Repeat this setting of cue points until you have set all needed cue points (e.g. 9 cuepoints for 8 snippets)
Save this session file.

11.
Make sure that in "Options/Settings" (F4),
on tab "Multitrack",
in editfield "Mixdowns" the entry "16-bit" is selected (CD-quality).

Make sure that in Single Waform View,
menu "Edit/Convert Sample Type" (F11),
the appropriate values are set
(stereo, 16-bit, maybe dithering enabled)
(that's important because Mixdown will "auto-dither" to 16-bit,
using the selections from the dialog "Convert Sample Type")

12.
Back in Multitrack Mixer View.
Open menu "Edit/Mixdown/All Waves".
(now you have some time to wait, depending on your hardware power,
don't smoke, better drink a cup of tea ...)


13.
When Mixdown is done, the compiled wave is displayed in Single Waveform View.
You can easily see the averaged tuned shapes of the wave snippets.

Open menu "View/Cue List".
Highlight all the cue point entries and "Merge" them.
If button "Batch" is greyed then highlight the displayed cue ranges again.
Use button "Batch".
Save the wavefiles as Windows PCM *.wav file using a numbered template into any folder.

The compiled wavefiles are now ready to burn.


14. Close window "Cue List"
Discard the MixDown file.
Save the session file for later use.
Close the session.

15. End of RMS Averagesizing.
Burn!


DD.20010214.1100
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