The only thing you can really do if you want to keep your original file as an MP3 is to save it at 320, but that doesn't help. It's always best to start with a WAV.

Yes I tried with everything and I've not luck!!
Thanks anyway Steve!

I'm afraid you can't - not with any software. For a start, the track is effectively mono, so you can't isolate the dog in a stereo field, because there isn't one. And you can't use noise removal, because neither the background or foreground sound you want to treat are constant, and that's an absolute requirement for using that. And the final reason is that the voice, music and dog are all in the same frequency band, so you won't be able to EQ the dog out either. I looked at it in the spectral editor, just to be sure - not a chance, I'm afraid. You'd be better off looping a clean part of the music and redoing the voiceover, quite frankly.

Hi Guys,


I have a question because I've checked all youtube tutorials, etc. and I can't find any solution.
Well in the minute 1:26 to 130 (also 1:46 and 1:50) you can hear a dog sound with music, voice, etc all together.
How I can minimize or remove this (dog) sound from the audio? I Want this because I want put (mix) another audio over it.
Thank in advance!


PS. I've attached the file for you

After re-install of OS it seems to run like designed now - although I'll keep an eye on that.

Best regards
Guido

I have a couple bundles of still in the package fiberglass batt insulation stacked up in the corners of my little mix room, behind my monitor stands.  Covered them with a light curtain for aesthetic reasons.  They definitely helped the bottom end.  Whether they helped as much as a properly built up bass trap is a larger question.  I usually go to the acoustics/studio construction forum at recording.org or the John L. Sayers forum for this sort of thing.  Lots of info and clever folks to be found.

The optimal density for bass trapping would be Rockwool RW3 products also know as Rocksilk.

I made my own bass traps from this product and they are superb, always ensure you wear protective
goggles, a long sleeve shirt and a dust mask when handling such products, then they are quite safe.

SafeandSound Mastering
music mastering

Hi dear forum,

since I installed Adobe Audition 3.0.1 on my new computer (Win 7 Professional, 64 bit, 8GB RAM, loads of HDD and SSD for booting) I noticed that sound is only audible in Audition, although I used to hear sound via PowereDVD and Windows Media Player perfectly well in the past prior installing AA. Installing of AA seemed to disturb something.

Of course I have set up AA that the ASIO drivers are released when not used.

My soundcard is

Terratec DMX 6Fire USB with ASIO driver 1.11.00

Please help me on that.

Thanks and best regards
Guido

In the absence of any sort of visible or stated "goal" for this exercise, it's almost impossible to give any sort of advice. Being dissatisfied with one's results isn't a bad thing, but it takes more than being dissatisfied... it's also necessary to know exactly where you want to get to. The original question is sort of reminiscent of the idea, "Let's get on the bus and we'll drive around for a while. When we see the place we like, then we'll know where we want to get to!"

But what if you're on the wrong bus, and never get to anyplace that you like...? Rap has changed so much in it's relatively short life span, and undergone some fairly significant stylistic changes. On top of that, I'm not sure how many people here are really rap enthusiasts and record it.

That being said, I remember a couple of articles last year on a blog I sometimes read, pertaining to this. They are eminently sensible in that they don't really deal with specifics like telling you what frequencies to EQ, or anything else, but they tell you what to listen for... In that regard, mixing and processing rap isn't different from any other type of music. It's all in the ears.

You may find them somewhat helpful, but remember, you gotta know where you're going if you want to get there.

http://theproaudiofiles.com/mixing-rap-vocals/

http://theproaudiofiles.com/mixing-rap-vocals-part-2-eq/

Since nobody else has answered, I'll try and help.

I suspect you really mean processing, not editing. 

It's not easy to suggest anything positive, because you have not explained what it is you find unsatisfactory about what you are currently achieving.  You could post a clip here for us to listen to. 

Generally speaking, the better your core sound, the easier it will be to get wherever you want to be. With that in mind, I doubt the mic is doing you any favours.  You won't find many here using USB mics - they are notorious for their less than stellar quality.  Also, contrary to what almost everyone else will tell you (well, all the "would be" engineers and sales people) dynamic mics tend to be more useful than condensers for rap.

Also, bear in mind that your monitoring chain is not just a pair of loudspeakers - the room they are in is just as important (some would say even more than the speakers).  Monitoring is, by far, the most important link in the chain.   If you are not hearing things as they really are, then you are never going to get the sound you want. 

As someone new to recording, a little light reading wouldn't go amiss and I would suggest you have a look at this site -  www.tweakheadz.com - where you will find lots of tips.